• Andy Warhol’s Letterhead

    Culture | Prep Essentials  

    Stationery, in some form or fashion, can be found stashed away in a preppy’s desk at any given moment. It’s an essential habit. Penning proper correspondence, whether it be thank you notes, a memo, or a handwritten letter to a long time pal is practically a second language by adolescence. Even thought it seems like we slap our monograms on everything, we don’t. Traditionally, there are only certain items that should be monogrammed—stationery being one of them. Andy Warhol’s (an aforementioned personal style icon) undated stationery gives typography center stage in soothing tones of blue and green. It also communicated quite effectively who he was as an individual before he would ever scrawl his first word.

    Image via Letterheady

    Jan 10, 2012 | Permalink (6) View/Leave Comments

    StacyfrPgh left a comment on 1/14/2012 at 5:27 PM:

    I just gave my 20-something children new stationary for the holidays. I encouraged my 21 yo son to take some with him to Italy for the semester. One never knows when the need to correspond by handwriting can come up!


    Andrea left a comment on 1/14/2012 at 5:08 PM:

    Have a look at this eye-catching exhibit, F.E. Art inspired by old nautical/battle flags via Free People’s blog. To me, it’s remarkable how a subject so inherently preppy can become un-preppy and almost trite when it’s put under a microscope like this…  http://blog.freepeople.com/2012/01/give-ship/


    Laguna Beach Fogey left a comment on 1/14/2012 at 12:48 PM:

    I’m as much a Warhol fan as the next chap, but this looks like the handwriting of a deranged 8-year old child.

    http://admiralcod.blogspot.com/


    CHC left a comment on 1/13/2012 at 8:51 PM:

    so the type or writing would go over the design or under it? over it right?


    F.E. Castleberry left a comment on 1/13/2012 at 4:39 PM:

    @Andrea—I noticed the very same. That’s probably part of the quirk to Warhol though.


    Andrea left a comment on 1/13/2012 at 4:02 PM:

    He spelled “Murray Hill” incorrectly…ha wonder if he noticed/cared!


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  • Style Icons

    Style  

    It is no secret that looking good, or actually looking right, is not high on the cultural curriculum of the American male. That’s a shame, really. This sartorial epidemic can partially be attributed to most men’s lack of style icons—whether it be one’s father (the ideal), celebrities, or simply a stylish gentleman. Personal style starts there though...icons; individuals or characters (past and present) you are drawn to. I’ve recently discovered—and consequently become addicted to—Pinterest. One board in particular effectively collages images of my style icons. Stanley Marcus, former Neiman-Marcus president and CEO, believed that good taste could be acquired through environment and education, that the eye could be disciplined to differentiate between good and bad by a constant looking process. And that’s what it’s about, a constant looking process that eventually becomes a matter of instinct.

    “Style does not come to you unless you pay attention to it.”   —Amanda Brooks

    Jan 9, 2012 | Permalink (4) View/Leave Comments

    Paul left a comment on 1/12/2012 at 6:21 PM:

    FEC is on my roster. Great selection, as always.


    F.E. Castleberry left a comment on 1/12/2012 at 6:16 PM:

    @Maurice—If you got visit the Pinterest board, you will see that JFK Jr. is indeed one of my style icons.


    y l hollander left a comment on 1/12/2012 at 11:22 AM:

    No argument here; that’s a strong roster.

    Always happy to see the “Miles Davis wore khakis” pic. Reminds me of a time when GAP was actually selling clothes of fairly decent quality.


    Maurice left a comment on 1/11/2012 at 10:17 PM:

    What about JFK Jr.?


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  • Lauren duPont

    Culture  

    Photographed in New York, NY

    There are those that work to live and then those that live to work. Working socialite, Lauren duPont is most certainly the latter. She doesn’t have to work—she wants to. With stints as Vogue’s senior fashion editor and Ralph Lauren’s senior design director of accessories, duPont recently assumed the helm at Jack Rogers as creative director. She is one of a new generation of Park Avenue Princesses who not only have impeccable pedigrees, but high-flying careers, privileged lives, and demanding jobs. In the interest of full disclosure, I should add “zany personality” and “criminally charming.” She had me in stitches at “CLI—CK.”

    Jan 6, 2012 | Permalink (4) View/Leave Comments

    Joey Dee left a comment on 1/12/2012 at 9:48 PM:

    I love white in the winter.


    Alysa left a comment on 1/12/2012 at 6:28 PM:

    It was so great to see you, Fred! Happy New Year!!


    F.E. Castleberry left a comment on 1/11/2012 at 5:55 PM:

    @Lauren duPont—I still get a kick out of that entire rack of clothes it seems like we went through…good times!


    Lauren duPont left a comment on 1/11/2012 at 5:53 PM:

    Wonderful to have met you Fred!


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  • The Great Gatsby

    Music & Books  

    Widely regarded as a paragon of the “Great American Novel,” F. Scott Fitzgerald’s The Great Gatsby has spawned not one, two, three—hell, not even five, but six film adaptations since its 1925 publication. A first edition copy in the original dust jacket (seen here) goes for upwards of $200,000. I’m currently brushing up on Fitzgerald’s classic before Baz Luhrmann introduces the seventh adaptation in December of this year, purportedly in 3-D.

    Jan 5, 2012 | Permalink (44) View/Leave Comments

    bucephalus left a comment on 1/15/2012 at 8:03 PM:

    Back to Gatsby !

    @AEV had argued : ” Yes, Gatsby gains our affections and sympathies by the end of the book, but he’s also criticized and dissected, with few details of his nouveau riche life left untouched….from his gaudy parties to his shelves of unread books (props). “

    Earlier, I said Gatsby is depicted as a romantic and mysterious character, not some gauche lout as AEV would have him.  And G. doesn’t gain our sympathies “by the end of the book” ; rather, the reader is immediately intrigued by him from the beginning.  Here is Nick Calloway (the Yalie narrator of the novel), in the first chapter of TGG, page 3 in my edition :

    ” Gatsby…represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the “creative temperament.”— it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No — Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.”

    Not exactly the reaction one would expect a man of culture and refinement (which Calloway is) would have to an arriviste vulgarian.

    Calloway has no illusions about Gatsby.  Upon their first meeting, C. has no doubts that G. must be some kind of class fraud, but C is nevertheless fascinated and strangely drawn to G.  There’s no “criticism” of G as such.  We are never left with any doubt that Gatsby is a fraud, but Fitzgerald wasn’t a one-dimensional prig like AEV.  Rather, he created a character of mystery, allure and charisma who was motivated to imposture and ostentation in order to win the affections of a woman.


    Pete left a comment on 1/15/2012 at 3:38 PM:

    Perhaps I am just a glutton for punishment but I just read through all of these posts and I was struck by the discourse and length of time spent on replys.  Only a great novel and social commentary like TGG could cause this to occur, which by itself to me shows the talent, lyricism, etc. that is inherent in great writing.

    And for what it’s worth I am looking forward to the tuxedoes in the new movie as I have a soft spot in my heart for a great tux


    Dave T left a comment on 1/14/2012 at 8:11 PM:

    @bucephalus   Apparently the gist of SM’s comment was lost on you.  It’s not about themes, characters, etc.  The horse died long ago.  Now, go out and have some fun.


    bucephalus left a comment on 1/14/2012 at 4:07 PM:

    The last several posts of mine talked about clothes, not about the Great Gatsby!  I also never discuss “great themes” in novels, only characters and plots.  “Great themes” is for high schoolers, vulgarians and philistines


    SM left a comment on 1/14/2012 at 12:00 PM:

    Jesus Christ @ bucephalus, you’ve made your point—you’ve read The Great Gatsby! You get an A on your essay on themes in the novel.


    bucephalus left a comment on 1/14/2012 at 7:07 AM:

    Blustery not blistery


    bucephalus left a comment on 1/14/2012 at 7:01 AM:

    Here is a good example of what I’m talking about : http://1.bp.blogspot.com/-_nMZio9LMH0/TxErQY3EF_I/AAAAAAABLW0/xqlPz1sNxKU/s1600/gqpitti53.jpg

    If you’re really traditional about your country jackets, then you don’t put elbow patches on them until you actually wear out the elbow on the sleeves (preferably in the regular pursuit of grouse) and they actually need patching.  Otherwise the elbow patches are purely decorative—as they mostly are today.  But in the photo above, this character doesn’t just have suede elbow patches.  His “patches” extend luxuriously from the elbow to the fringe of his sleeves.  In addition, the waist cincher and the pocket flap lining are done in matching suede.  And there’s more!  The jacket has a suede gun patch over one shoulder / chest—and it’s quilted, as if guns needed warmth in the blistery heath.  Besides, the gun check fabric is too light colored for game bird stalking.

    Is this character “copying a naturally acquired lifestyle” of a country gentleman as a means of social climbing, but because of a “nouveau riche lack of self-awareness and ignorance”, fails to “get it right” and does it all wrong ? Such a conclusion would be the least perceptive, least insightful, least astute observation imaginable.  In fact, that would be missing the point.  The guy in the photo likely has zero intention of communicating that he is some stalker of stag or partridge on vast estates.  Rather, he’s strutting around fashionably according to the criteria of current trends.  Fashion isn’t about function.


    bucephalus left a comment on 1/13/2012 at 6:53 PM:

    However, that guy from WASP101 is definitely and altogether an unironic and unhip wannabe.


    bucephalus left a comment on 1/13/2012 at 6:31 PM:

    @AEV, you have a one-track mind, except it’s not about sex.

    ” dressing up in a way that attempts to copy a naturally acquired (life)style is indeed a form of social climbing and it is certainly tinged with a nouveau riche lack of self awareness and ignorance. Part of the problem, of course - you noted it - is that social climbers rarely ‘get it right’...which leads to not so subtle embarrassment for Gatsby and cheap copycat watches, misunderstood affectations, clothes that don’t fit “

    Every word above is wrong wrong wrong wrong headed.  When a navy blazer with brass buttons has got a Thom Browne length of 3 inches too short for the wearer, that’s not copying and apeing anything. That is a deliberate reinterpretation of the traditional navy blazer according to current fashion trends—however odious I find many of those trends.  Castleberry routinely tells us his various costumes constitute “his take on prep”, and I believe him, because I can see it with my own eyes.  When a 6’5” guy is wearing a 3-piece herringbone tweed suit from Gant that’s got almost disappearing lapels and a very high button stance appropriate for someone of your height, that once again, isn’t copying and apeing so much as trendy reinterpretation.  It’s not that they try to get it right but fail fecklessly.  They deliberately have “takes” on things.  The same with cheap watches.  Hipsters and fashionistas frequently wear cheap crap ironically.  Timex used to have a rather low status as a material possession.  Now, it has an ironic high status.  As I’ve said before, it’s all about winks, nods, ironies, takes, statements, and other pseudo-creative posturing which I despise but which, I will readily acknowledge, has nothing to do with social climbing or nouveau riche insecurity.  That’s why I keep saying, look to Tom Wolfe, not to Fitzgerald.  The fact that you keep railing against what you suppose are style faux pas when they are actually fashion shibboleths, shows how profoundly you fail to get it.

    There is a world-wide fashion trend for Americana and “Trad” clothing.  Europeans, Japanese, and Americans dress up vaguely like urban cowboys, or vaguely like lumberjacks, or vaguely like country gentlemen, or vaguely like yachtsmen.  Ralph Lauren comes out with a line of suits (“RRL”) modeled after outfits from the movie Bonnie and Clyde, and they sell out in a day.  It’s not about social climbing.  It’s about fashion, dandyism and costuming—all things which are ever present in the social world of human beings.  Surely you don’t consider every kind of sartorial extravagance and peacocking a sign of nouveau riche insecurity ???


    F.E. Castleberry left a comment on 1/13/2012 at 12:46 PM:

    @AEV—I’m going to speak freely here (since I do own this little corner of the word wide web). Take a deep breath…the sooner you remember that Unabashedly Prep is a style blog the sooner you can quit pshcyhoanalyzing every little thing I am doing with my life. While I am on this topic, please do not expect to criticize my lifestyle and expect it to remain displayed here. That’s asinine.

    In regards to social climbing…you are the average of the five people you spend the most time with. That’s the social ladder I am (and always have been) climbing…the process of entering into the company of quality individuals that inspire and love others. That’s it.

    Any other outrageous socioeconomic conclusions you care to draw are your business, however irrelevant they may be.


    Epic debate left a comment on 1/13/2012 at 11:47 AM:

    At least everyone agrees they like the book.


    AEV left a comment on 1/13/2012 at 10:34 AM:

    @bucephalus—The standard of social climbing behavior in 2012 should not be the extreme caricature of Gatsby created by Fitzgerald 90 yrs ago. Surely you understand this.

    For someone who’s so carefully dissected the Great Gatsby, I find it hard to believe that you miss similar elements in the neo-prep blog world.  Much of this sub-world is about admiration, envy, obsession, and re-creation of an idealized ‘preppy’ world - a world based largely on old money affluence and the trappings and stylish nonchalance that accompany it. Yes, I do believe that dressing up in a way that attempts to copy a naturally acquired (life)style is indeed a form of social climbing and it is certainly tinged with a nouveau riche lack of self awareness and ignorance. Part of the problem, of course - you noted it - is that social climbers rarely ‘get it right’...which leads to not so subtle embarrassment for Gatsby and cheap copycat watches, misunderstood affectations, clothes that don’t fit, a tendency to state and re-state as ‘news’ the already well known, etc. in the neo-prep blog world. It’s social climbing all right….its frequent failure, hyperbole, and lack of accuracy nearly prove it.


    bucephalus left a comment on 1/13/2012 at 6:50 AM:

    Let’s not forget. In AEV’s reckoning, wearing a tie (perhaps a bow tie) with jeans, and over undone collar buttons, becomes not a comical fashionista shibboleth, but an example of flashy Gatsbyian display of nouveau riche arrivisme !!!  Usually AEV’s one-tone song is in tune, but not this time.


    bucephalus left a comment on 1/12/2012 at 9:47 PM:

    I quote an actual specimen of Fitzgerald’s description of Gatsby’s parties.  From chapter 3 :

    ” On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains…

    ” At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby’s enormous garden. On buffet tables, garnished with glistening hors-d’oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o’clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other’s names.”

    With this kind of luxuriation and extravagance AEV would compare……the sockless wearing of loafers and brogues, or the deliberate dishevelment of neck ties, or the sporting of cheap battery-operated watches, or wearing a ribbon belt with a flannel suit, or not lacing one’s boots, or wearing contrast cuffs, or any number of other deliberate fashion flaws against which he tirelessly conducts his jihad.

    AEV’s comparison is not just disproportionate, it’s psychologically retarded.  These examples of fashion silliness aren’t about social climbing and faked heritage, as much as telegraphing one’s membership in a trendy and hip style cult.  With a few exceptions here and there, this blog doesn’t even showcase luxury.


    AEV left a comment on 1/12/2012 at 4:38 PM:

    @bucephalus - Perhaps you are indeed saying that you feel G is social climbing in an attempt to win over D. Fine - that point seemed lost in your hyper-contrarian attempts to suggest I missed obvious “elements” (is that term - yours, and synonymous with ‘theme’ in this respect - less “high school”?) in the story. Again, you’re the one who’s dragged us into a needlessly deep analysis of the book….to prove, I fear, that you’re the smartest guy on the internet.

    You seem to be confusing your own arguments - again, because you seem hell-bent on debating me for the sake of it. No, I don’t think - on balance - most Brooyln dudes in purple skinny jeans are attempting to social climb by dressing that way. You, not me, equated THIS environment - the neo-prep universe, not the uber-hipster, purple jean mustache crowd - with the term Hipster. Do I think large elements of the neo-prep world are about social climbing and artificially manufacturing a look of heritage and established wealth? Yes, I do.


    bucephalus left a comment on 1/12/2012 at 1:57 PM:

    @AEV—

    I don’t understand your post at 12:40.  Gatsby is not interested in social climbing per se ; it’s his romantic interest in Daisy that drives him to social-climb.  Isn’t that what I said ?  The implication is that if it wasn’t for the need to impress D., G. might not be social-climbing.  That’s just speculation, of course, but in the novel, everything G. does is for the purpose of winning the girl.  Remember, when G had first met D five years before the events of the novel, he hadn’t been rich and felt D. couldn’t possibly be interested in him.

    By the way, your post at 12:33 sounds like a high school essay with all your “theme” talk, rather than the observations of someone who has read and enjoyed the book.

    ” If you feel TGG is unironically and unintrospectively right at home as a prop in the neo-prep blogosphere, fine. I, for one, find it alarmingly and ironically misplaced. “

    There most assuredly is something affected about going sockless in penny loafers in winter, or deliberately not buttoning a button-down collar.  But surely it’s inappropriate to call such affectations vulgar, gaudy, ostentatious or nouveau-riche.  There are other kinds of affectations.  After all, there is now a world-wide style trend for Americana (which I find completely baffling).

    ” So, Hipsters can’t also be flashy social climbers? I see. “

    I’m sure they can.  But social climbing doesn’t seem like the most salient characteristic of hipsterism.

    A 20-something resident of Williambsurg wearing purple skinny jeans with 3” turn-ups, workman boots, a grey herringbone tweed sportcoat, plaid flannel shirt with woollen tie, a knit cap and sporting a beard—is this a phenomenon in any way comparable with Gatsby ?  I don’t think so.  It’s something else entirely.  More in the Tom Wolfe world.


    AEV left a comment on 1/12/2012 at 1:40 PM:

    @bucephalus - So, Hipsters can’t also be flashy social climbers? I see.

    I disagree with your suggestion that Gatsby’s dogged pursuit of Daisy was, somehow, totally separated from his social climbing. In fact, it is his quest to win over Daisy’s affection and attention that drive him to social climb and ostentatiously flaunt his wealth. They are overtly and purposely linked as themes in the book….


    AEV left a comment on 1/12/2012 at 1:33 PM:

    @bucephalus - It sure is - in fact, the thwarted love story is one of the most obvious and superficial themes in the book.

    It’s also well-established that the story includes a critical look at wealth, and the contrasts between new and old money. Fitzgerald overtly portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste. Neither the book or I ever suggested that Gatsby alone was the only manifestation of new money or the only target of criticism - a range of themes, motifs, characters, and symbols come to represent the clash between new and old money in the book. To be sure, other, only indirectly related themes are also present: the decline of the American dream, the decay of moral/social values, the impact of money on sincerity and loyalty, etc.

    If you feel TGG is unironically and unintrospectively right at home as a prop in the neo-prep blogosphere, fine. I, for one, find it alarmingly and ironically misplaced.


    bucephalus left a comment on 1/12/2012 at 1:18 PM:

    I also disagree with your implication that the neo-prep trend is about social climbing or nouveau-riche display.  Neo-Prep is more a hipster phenomenon.


    bucephalus left a comment on 1/12/2012 at 1:16 PM:

    @AEV—It’s a basic element of the story that Gatsby’s all-consuming interest is the conquest of Daisy Buchanan, not social climbing itself.


    AEV left a comment on 1/12/2012 at 1:08 PM:

    @bucepalus - Yes, of course my descriptions/interpretations of one of the greatest, most complex American novels ever written are coming across as simplistic - I’m writing about it summarily in blog comments! I assumed that was a given. Thousands of graduate theses have been written on the book - I doubt either of us have it 100% ‘right’, but the broadest commentary in the book still seems ironically positioned when displayed on a blog called Unabashedly Prep.


    bucephalus left a comment on 1/12/2012 at 12:56 PM:

    @AEV—No question the extravagances and fakeries of the roaring 1920s are portrayed negatively in TGG, but your description of Gatsby is rather simplistic.  Gatsby has constructed his hoax life and inhabits a gaudy mansion and hosts extravagant parties not because he has arriviste ambitions and insecurities in themselves.  He doesn’t even enjoy his own parties !  Rather his social climbing is subordinated to the single-minded pursuit of his romantic interest—Daisy Buchanan.


    AEV left a comment on 1/12/2012 at 12:42 PM:

    @bucephalus—Both ‘segments’ of wealth and aspiration are critiqued in the book. My more general point is that the book, in part, paints an unflattering and detailed portrait of the new-rich living in West Egg, and contrasts their money, habits, styles, and insecurities with their more established East Egg counterparts. Yes, Gatsby gains our affections and sympathies by the end of the book, but he’s also criticized and dissected, with few details of his nouveau riche life left untouched….from his gaudy parties to his shelves of unread books (props).


    bucephalus left a comment on 1/12/2012 at 12:30 PM:

    @AEV—Correct me if I’m wrong, but it seems to me, you want to say this : in The Great Gatsby, new money = bad, old money = good.  That’s just not the case.  Tom and Daisy Buchanan are not depicted flatteringly or sympathetically.  By contrast, Jay Gatsby is a tragic figure about whom one becomes affectionate.


    AEV left a comment on 1/12/2012 at 11:01 AM:

    @bucephalus—Admittedly, it’s been some time since I last re-read The Great Gatsby, but I believe the narrator, Nick, was developed/introduced as a very purposeful contrast to the “new rich” inhabitants of West Egg. Nick was a Yale graduate and had social connections in East Egg (the “establishment” enclave). Nick lives next door, in West Egg, to Jay Gatsby and much - certainly not all - of the novel focuses on the gaudy parties thrown by Gatsby and other West Eggers and Nick’s reactions to/intersections with them. Sure, the book is full of all sorts of other commentary and insights, but there’s little doubt that part of Fitzgerald’s focus and critique was on the contrasts and clashes between showy, new money extravagances and establishment wealth.


    bucephalus left a comment on 1/11/2012 at 10:00 PM:

    If there’s “scathing” commentary in The Great Gatsby, it is not of the new money characters.  The novel is narrated by a new rich character (Nick Calloway) who observes with detachment the superficial and empty lives of the residents of Long Island, both old and new money, and who in fact is so alienated from it by the end that he moves back to the Midwest. Jay Gatsby is depicted as a romantic, mysterious, tragic and (in my opinion) ultimately sympathetic figure who is motivated to great extravagance by his desperate love of an old money girl.  Is there an old money character in the novel who is in the least bit likeable ???

    A person better suited to supply a scathing commentary on the neo-prep phenomenon is more likely Tom Wolfe (if he was still anywhere near his prime).


    Tom Walker left a comment on 1/9/2012 at 11:19 AM:

    Doing the same thing - re-reading The Great Gatsby in prep for the film.  I love the story, the actors and Baz Luhrman, so have high hopes.


    Sam left a comment on 1/7/2012 at 4:58 PM:

    I really hope they make a not-3D version available. I’m so tired of all this 3D, everything, all the time. I loved the book, and I look forward to seeing the new movie. I tried watching the one with Mia Farrow in it, but I honestly had to stop because I couldn’t stand her depiction of Daisy as a complete air head. Hopefully the new one will be better.


    C. Michael left a comment on 1/6/2012 at 9:46 PM:

    Interestingly enough, the cover was finished before Fitzgerald’s novel was completed.  So, he made room for “the eyes” and wrote them in.  Andddd also, Daisy was a real person.  My quality of life improved when I found that out.

    Side note: I wish men had the audacity to speak (or to write) with Fitzgerald-like descriptions.  My heart would overflow.  Syntax & semantics =sexy.


    PB left a comment on 1/6/2012 at 4:55 PM:

    Agreed J - the French Riviera beach scenes from the first third of “Tender is the Night” are a particularly beautiful read.

    And Fitzgerald is particularly scathing in his depiction of the young, shallow NYC “it crowd” in “The Beautiful and Damned”.  Its more shallow today than ever - but I’d imagine Fitzgerald would have a devil of a time importing his beautiful prose to describe a scene of people standing around messing around with their smartphones - more up Tom Wolfe’s alley if you ask me.


    Glenn left a comment on 1/6/2012 at 12:47 PM:

    Funny, just watched the DVD version The Great Gatsby with Redford the other day I believe Ralph Lauren had a hand in the costume designs!


    BAH left a comment on 1/6/2012 at 12:14 PM:

    I was very excited to see a remake done by Baz Luhrmann, until he cast Leo as Jay Gatsby. Don’t know if I see him in the role.


    Jim left a comment on 1/6/2012 at 11:00 AM:

    This piece was originally printed in the Providence Journal and describes some Newporters’ experiences as extras in the 1974 Robert Redford/Mia Farrow version:

    http://newportweddings.blogspot.com/2010/08/great-gatsby-at-newports-rosecliff.html


    Paul left a comment on 1/6/2012 at 8:26 AM:

    Love that book. But, 3D? Really? That’s kind of pointless.


    A. Utas left a comment on 1/6/2012 at 6:04 AM:

    Check out the cover of the 1953 Scribner Library edition… much cleaner. There is something about mid-century paperbacks that leaves everything to the imagination…


    Kionon left a comment on 1/5/2012 at 10:35 PM:

    One of my favorite books, and one of my favorite authors. I would easily call this the hands down winner of the “great American novel.” At least in 20th century terms, but possibly even longer.


    F.E. Castleberry left a comment on 1/5/2012 at 7:33 PM:

    @AEV—The “scene” I’m specifically referring to is the “charity ball” scene that actually require some wealth (new money and old). As for the scenes you described, those folks are just trying to have a good time.


    AEV left a comment on 1/5/2012 at 7:17 PM:

    @FEC….the “scene” is a diverse one….and includes many of the same types of folks who attend things like “Rugby Tweed Rides”, Brooks Brothers/RL shop parties, and college polo matches on Long Island….

    In reality, many “socialites” in NYC aren’t “the new rich”, people who lack social connections, or folks who are prone to garish displays of wealth. Old guard/old money NYC socialites are who folks at retail shop parties and horse race infields are many times trying to emulate…..


    F.E. Castleberry left a comment on 1/5/2012 at 7:09 PM:

    @AEV—Not exactly. The socialite scene in NYC isn’t something I’ve even begun to touch…not sure if I will.


    AEV left a comment on 1/5/2012 at 7:04 PM:

    @FEC - Perhaps. That said, aren’t a lot of those “socialites…going out of their way way to have their pic taken at parties” the same folks who read and get featured on your blog?


    Aja Lake [the gold hat.] left a comment on 1/5/2012 at 6:54 PM:

    then wear the gold hat, if that will move her;
    if you can bounce high, bounce for her too,
    till she cry “lover, gold-hatted, high bouncing lover,
    i must have you!”
    -thomas parke d’invilliers

    o so patiently waiting.

    http://ajalake.blogspot.com/


    F.E. Castleberry left a comment on 1/5/2012 at 6:49 PM:

    @AEV—My guess is that the neo-prep blogosphere would be nothing but a mere blip on Fitzgerald’s radar. We’re talking about blogs here. My guess is that his attention would be on the young, new-money socialites going out of their way to have their party pic taken at parties.


    AEV left a comment on 1/5/2012 at 6:38 PM:

    Great book - like many, read it in high school. I do, however, find it a bit ironic that this blog would profile a book about a wealthy but unfashionable area populated by the new rich, a group who made their fortunes too recently to have established social connections and who were prone to garish displays of wealth. I can only imagine how scathing Mr. Fitzgerald’s commentary on the neo-prep blogosphere would be….


    J left a comment on 1/5/2012 at 6:05 PM:

    It’s worth checking out Fitzgerald’s other finished novels.  The prose is florid but still flows beautifully.


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  • A Home in the Adirondacks

    Style  

    Several months ago I recommended one of the best books on style I've ever come across, I Love Your Style: How to Define and Refine Your Fashion Style. Written by Amanda Brooks, currently the women's fashion director at Barney's, I found the book incredibly applicable to men as well. Brooks apparently gets her fashion sense from her mom, Elizabeth Stewart, who designed their home in the forests of the Adirondack Mountains some 30 odd years ago. The winter wonderland appears to be the perfect respite from the NYC grind.

    Brooks invited Vogue into her family's Adirondack cabin home last December. Amidst the rustic opulence is a handmade wooden canoe acquired from the Vanderbilts, quirky collections (very preppy) of carved bears, and personal touches like a signing post scarred with generations of initials. And it's roomy too. The house sleeps the entire extended brood during the summer, fall, and winter months. Not a bad place to ring in the new year.

    "I have been coming up here since I was five years old. This is a place where we can really get away and connect with nature. It's a big part of who we are."
    —Amanda Brooks

    Images via Vogue

    Jan 4, 2012 | Permalink (11) View/Leave Comments

    JAL left a comment on 1/10/2012 at 10:15 AM:

    Stunning interiors, aside from a chalet in the Swiss Alps, it’d be a dream winter home. I’ve always wanted to visit the Adirondacks – especially Camp Topridge for its amazing boathouse.

    www.preposity.com


    Bettina left a comment on 1/5/2012 at 9:36 PM:

    My sister just got me the Amand Brooks book for Christmas and I read it from cover to cover. It was a great on personal style, I def recommend it as well!


    Rhon left a comment on 1/5/2012 at 9:18 PM:

    Dear lord, between the plaid on her and the cabin’s interior - I love it all.

    -www.backwoodsplaid.com


    Brooke left a comment on 1/5/2012 at 10:15 AM:

    I absolutely adore that book.  I read, and reread until I had it mostly memorized, that book made me realize what I love in clothes, which is classic… and made me purge everything unworthy from my closet and never look back!  That home goes very well with my impression of Brooks, awesome!!


    Howie left a comment on 1/4/2012 at 9:59 PM:

    Beautiful. Really makes me want to settle in and have a drink in front of the fire. Amanda Brooks is sexy as hell too.


    JPL left a comment on 1/4/2012 at 6:20 PM:

    This house is gorgeous, it reminds me of my family’s own log cabin in the Adirondacks although is much more prep and the wall of windows really set it on a different level.


    colm o left a comment on 1/4/2012 at 4:57 PM:

    wow


    Ali left a comment on 1/4/2012 at 3:56 PM:

    Love it all!!!! Last winter my boyfriend and I spent a long weekend at Lake Placid Lodge, housed in the former Rockefeller Family fishing lodge. It was one of the most glorious weekends ever!  Snowshoeing…hiking…gourmet meals…lux accommodation. If you are in the market for a quintessential Adirondack getaway, I highly recommend!


    MGM left a comment on 1/4/2012 at 12:55 PM:

    There is no question that this is all very tastefully done, but for me personally, I just find the preppy “interior design” aesthetic too cluttered.  I much prefer the futuristic/minimalist style—- clean hardwood floors, empty walls, and minimal furniture.  Of course, my parents (preppies themselves) constantly lament that I don’t own anything except clothes, which, I suppose, is true.


    Laguna Beach Fogey left a comment on 1/4/2012 at 12:14 PM:

    Beautiful. I love the Adirondack style. We used to go up to the mountains when I was a kid. The Adirondacks, and also the Finger Lakes region.

    She looks very familiar. From Greenwich, perhaps? And didn’t she write a column for Men’s Vogue a few years ago?


    SaberTJ left a comment on 1/4/2012 at 11:11 AM:

    Wow what an amazing cabin.


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